Short Changed Hero Image

Short Changed

An animated short created by a team of students over six months.

Client

University of Washington

Duration

6 Months • Jan - Jun 2014

Role

Animation, Lighting, Rendering, 3D Modeling, VFX

Tools
Maya
Maya
Photoshop
Photoshop
Zbrush
Zbrush
After Effects
After Effects
01

Overview

Background

Challenge

One of the challenges in making this film was starting as an inexperienced team of students and becoming a mini-animation studio overnight.

Most of us were relatively new to 3D modeling and animation, but through daily reviews, tutorials, and help from TAs, we were able to incrementally iterate our way forward.

🎯The Goal: Create a 6-minute long animated short film for the end of the spring quarter film screening.

Short Changed Film #2
Short Changed - Film shot #2
Short Changed Film #3
Short Changed - Film shot #3
Short Changed Film #4
Short Changed - Film shot #4
Short Changed Film #5
Short Changed - Film shot #5

Objectives

Realizing the story was the overall objective, but in order to accomplish that we needed to divide and conquer, splitting up into smaller teams and work assignments.

  1. Lead the Lighting Team to make sure every shot is lit in support of the story, mood, and desired atmosphere.
  2. Lead the Prop Modeling Team to successfully populate the environments and shot layouts with all needed props.
  3. Create animations for my assigned shots, featuring the antagonist "Mr. Corruption", and the heroic Goose.
02

Process

Pipeline

The film's director, Barbara Mones, and her group of TAs, presented us with the film's initial story and a roughed out animatic conveying the general concept for the film. From there, it was on the animation capstone class to carry out the rest of the pipeline:

  1. Pre-production - Research and ideation
  2. Creating a motionmatic - A more comprehensive and animated version of the animatic
  3. Production of all final assets and shots for the film - Modeling, animation, lighting, and rendering
  4. Post-production - Compositing, vfx, sound, and editing
Research

Look and Feel

The visual direction of our film was greatly influenced by two films from Supinfocom, Contre Temps and Meet Buck. From our references, we knew that we wanted to pursue a stylized and painterly art style.

Ideation

During pre-production, I did a few sketches to start figuring out potential props that we could put in the film.

Sketch - Benches
Sketch - Benches
Sketch - Drains
Sketch - Drains
Sketch - Briefcases
Sketch - Briefcases
Sketch - Bushes
Sketch - Bushes
Sketch - Flowers
Sketch - Flowers
Sketch - Light Posts
Sketch - Light Posts
Sketch - Rocks
Sketch - Rocks
Sketch - Trees
Sketch - Trees
Modeling

Fountain

I lead a 7-person prop modeling team, making sure they received concept art, critique, and help creating their models. The fountain, where the story takes place, was one of the props that I was responsible for.

Modeling

Bush

I also worked on modeling the bushes that Mr. Corruption hides behind, and other miscellaneous props like lily pads and rocks that didn't make it into the film.

Animation

Animating every shot before the deadline was a big challenge for the team, but essential to properly telling the story. As the story evolved, shots were constantly in flux, but bringing in actors and recording animation reference proved invaluable to finishing all of the shots.

2

Shot - Imposter 600

My shots were focused around the interaction between Mr. Corruption and the Goose underwater.

"As the goose tries to warn the crowd, he unintentionally kicks Mr. Corruption in the head."

3

Shot - Imposter 700

Creating fast-paced underwater animation proved to be tricky, and this shot could still use work.

"Mr. Corruption pulls the Goose down and motions him to keep quiet before shoving him away."

Lighting

Color Script

The lighting was informed by our pre-production work creating color scripts that illustrated the emotional beats of the story. The most difficult part of lighting was getting the shots to look consistent, especially when consecutive shots were lit by different people.

Rendering

Render Layers

A lot of time was spent rendering and re-rendering, going back and tweaking shots to look nicer. The images below show the different render layers that we composited together for each frame in the film.

Background Layer
Background Layer
Character Layer
Character Layer
Shadow Layer
Shadow Layer
Occlusion Layer
Occlusion Layer
Highlight Layer
Highlight Layer
Dust Layer
Dust Layer
Depth Layer
Depth Layer
Composited Shot
Composited Shot
03

Solution

Short Film

This is the final result of our efforts, the short film itself. On the official UW Animation Research Lab's website, a short synopsis introduces the story:

"A small quiet park filled with people hoping to cast their wishes in the park's fountain is invaded by a sinister character aiming to steal their wishing coins."

My Reel

This reel showcases some of the work that I was personally responsible for during this project. It features animation, prop modeling, and lighting work.

Downloads

Here's a download link for the Short Changed Electronic Press Kit from the Animation Research Lab's official website.

04

Outcome

Reflection

University of Washington's Animation Capstone course made my final year of college my favorite. It was the first time that I felt a spark of excitement in school, because I was working on something that I actually wanted to do, and it aligned with my own interests.

I'm happy with how our film came out and that we were able to pull it off. It was a lot of work, but we were able to create something original, true to the story that we wanted to tell.

Takeaways

  1. Animation might be somewhat time consuming, but it's also very satisfying to see things come to life.
  2. In any feature film production, the team is essential, it's impractical for an individual to produce all of the necessary content.
  3. Creating a film requires a tremendous amount of iteration and trust that everything will come together in the end.

Credits

Mr. Corruption

Production Team

Director

Technical Supervisor

Teaching Assistants